Part II: Marla Singer Avatar of Susie Derkins? Somewhere between the end of high school and beginning of college, uptight, grade-obsessed Susie Derkins lost her way. The pressure to get good grades, the pressure to succeed, simply became too much for her, and she snapped. Marla remembers the girl she used to be. Free from the protective bonds of her parents guidance and the bland safety of her suburban home, Susie loses her moral bearings entirely and sinks into a dark, seamy, grim world of sex, drugs, and eccentric Albert-Einstein-like hair. Her transformation is so complete that she no longer even remotely resembles the upright citizen that her parents and society wanted her to be: thus, she changes her name. Like Calvin, Susie has become a misfit, one of society’s lost lambs. It is for this reason that she soon finds herself frequenting support groups such as "Remaining Men Together." Fate has brought her back to Calvin, whom she probably spurned back in junior high. But the two have changed so much that they no longer recognize each other! The pink dress Marla wears in one scene slightly resembles something that "Binky Betsy," Susies favorite childhood doll, once wore: the doll that Calvin stole and attempted to ransom. While Calvin and Susie mostly teased and tortured each other, Hobbes was infatuated with the raven-haired beauty. Accordingly, Jack despises Marla, whereas Tyler takes an *ahem* sort of interest in her (definitely inappropriate for the Sunday Funnies). When we are first introduced to Marla, she is but a tumor on Jack’s slowly deteriorating world. She is disenfranchised, morbid, socially apathetic”and Jack despises her because she is a mirror image of himself, his own female double. On the other hand, Calvin hates Susie because she is his exact opposite: Bright, obedient, demure—the unruly Calvin has every reason to hate her. However, certain strips definitely infer that Calvin has somewhat of a crush on Susie, and some even imply that Susie shares these latent feelings. But as a cootie-fearing grade-schooler, Calvin may only express these strange feelings through attention-getting antagonisms such as constant snowballs to the head, ransoming her dolls—and through his separate, conveniently more mature other personality—Hobbes. Unlike Calvin, Hobbes has never been bashful about showing his affection for Susie. Calvin’s imaginary tiger-friend has called her a "cutie," worn swim jams to impress her ("Girls flip for guys in jams"), and even claimed he would betray their club’s secret code if she gave him a tummy rub (which is one of the key differences between Tyler and Hobbes). Naturally, all of this confuses and frustrates Calvin beyond words, even though Hobbes is really nothing more than a product of his own mind! And though Hobbes and Susie never consummated their love for each other (he’s a stuffed tiger and she’s a kid, you sicko!) this is, of course, the exact same deranged love-triangle that is shared between Jack, Tyler, and Marla, or at least a natural progression thereof. Perhaps Marla puts up with Jack/Tyler’s apparent nonsense for so long, because it’s the sort of thing she became used to as a child? And perhaps, in the end, Jack finds solace in Marla because it’s the exact same connection he should’ve made long ago, in his suburban youth. A connection that may have saved them both.